Coco Lamarr International & award-winning vocalist with an Old Hollywood twist

I require a performance space of at least 4 feet x 4 feet with up-to 2 power sockets and 1 parking space, and a steady Wi-Fi connection in order to take requests.

Directions for where to load-in equipment and setup, street parking availability, and any sound limiters or ordinances per venue.

I can provide limited sound equipment in the form of my own PA system, mic and stand.

Yes, I can play music from Spotify or YouTube before, after, and between my sets. I will choose the music based on the client's preference or theme.

The biggest gig I've ever done would be a tie between performing in the World-Famous Burlesque Showcase at Viva Las Vegas Rockabilly Weekender 2024 and The Sacramento Kings' Christmas Party at the Kimpton Sawyer Hotel in Sacramento, California. "The Jacquelyn" takes the cake for the best venue I've ever worked at: their staff is so gracious and hospitable and fun; I feel spoiled getting to perform for their members.

My favorite types of events are the intimate ones. I love connecting with the audience/eventgoers, not only through singing but also by talking on the mic with them.

I've been performing full-time for almost 7 years. I got my start completely by chance one day when I stopped into my favorite restaurant after work for a cocktail and the bartender and barback overheard me singing quietly along to the music playing overhead. They told their restaurant manager who made me sing for him on the spot and then offered me a weekly spot to sing for them. It became so popular that they gave me two nights a week and I've been performing professionally ever since.

The vocalists that influence me the most would be Etta James, Tina Turner, Amy Winehouse, Brittany Howard, James Hetfield, and Jack Black. The way they utilize(d) their (vocal) instruments to create sounds all their own is what I admire most.

I typically set up and sound check 90 minutes to doors and perform 3 x 35–45-minute sets.

I'm happy to perform outside, but request shade, a flat level surface, and a power supply close to the stage/performance area.

My repertoire is vast and spans a multitude of different genres, but I try my best to play to the room (no matter how big or small) based on the energy/vibes of the audience and what they respond to, which can be anything from Cole Porter to 2000's Pop to Disney Showtunes to 1990's Country hits. My sets are a direct reflection of my audience. I'm happy to take requests so long as the requests aren't too obscure, out of my key, or limited by copyright. If a client wants all-Amy Winehouse or Christmas music, I can do that too, within reason.

Previous clients have described my performances as "dynamic" "incredible" "otherworldly" "awe-inspiring" and "the most fun" they've ever had at a show. I've also received a standing ovation from Quentin Tarantino.