"Made in Ireland" is the name of the festival, but it only features one real Irishman. Gavin Carpenter travels directly from Dublin to Neu-Ulm. Squeezed into his tour schedule between two gigs in Dublin's Temple Bar pub district. His motto in Neu-Ulm as well: "No Fillers, only Killers." With a best-of-Irish folk, from traditional hits like "Back Home in Derry" to hits by the Pogues, Carpenter goes from zero to 100. Remarkably, the Johnny Cash look-alike would also pass for a double of the "Man in Black" vocally with his covers. "

"Hope you, family and band had a fun evening. And a birthday to remember. Many thanks to you all for your music - everyone really enjoyed the evening."

"The Rebel Outlaws were absolutely incredible!! We loved every minute of having them at our wedding! Their sound was perfect in our venue and they played all the right songs to keep our guests entertained! "

"Rob never fails to fill the room in Osoyoos. He is a crowd favorite who is often asked to reappear at the local venues and never seems to tire. I have booked him many times and he never fails to please."

"Awesome! Professional and fun. Music was fabulous. "

"There’s more to Johnny Ticktin than meets the eye. Well-versed in the blues, having once served as lead guitar player for the legendary Louisiana Red, the open-minded Ticktin is a sponge, soaking up the subtle six-string nuances and intricacies of a multitude of genres—from surf to classic R&B, swing and even Mambo—on his eighth album with The Headhunters, That’s All I Need. It would feel right at home in any rough-and-tumble roadhouse. The title is borrowed from a song, covered here in all its dark, swampy glory, off Magic Sam’s 1967 iconic electric blues marvel West Side Soul. Watery, backwoods ripples of Sam’s tremolo guitar style and seductive rhythms meander through Creedence Clearwater Revival’s mysterious kudzu on Johnny & The Headhunters’ version, as Ticktin and company paddle up a lazy river of Bayou groove. Just as fluent in nasty rockabilly, they thrive in the sweltering heat of the 1957 obscurity “Chicken House,” giving it a warm buzz and making it rumble and swagger, while the lascivious, infectious funk of “Body and Fender” – a Doc Pomus/Duke Robillard joint originally built for soul crooner Johnny Adams – shakes all over and ogles the female form. A rousing, boogie-woogie version of Lowell Fulsom’s Chess Records’ hit “Rock ‘Em Dead” is wonderfully shambolic, and Ticktin rides the lightning of the Link Wray instrumental “Ace of Spaces” like a champ, gleefully wheeling through edgy garage-rock riffs with appropriate vim and vigor. What feel he and his band have for this material. There is not the slightest bit of indifference to it anywhere on this record. Not that they need it, but help arrives in the form of keyboardist Tam Sullivan, who wraps smoky, sensual organ and wraiths of piano around a soulful remake of Bobby “Blue” Bland’s “Lead Me On,” and singer Liz Springer, who joins her brazen vocals to Ticktin’s in the cheeky, but charming, duet “Watch and Chain.” And, with the solid machinery of a good backing band at work behind him, Ticktin can just let loose – witness the slide-guitar fury of their cover of Elmore James’ “Shake Your Money Maker.” For aficionados of tasteful guitar work and music that time shouldn’t have forgotten, this is what you need. —Peter Lindblad SPREAD THE NEWS! FacebookTwitter RELATED STORIES September 3rd, 2023 Rhythm & Roots Festival August 28th, 2023 Rhythm & Roots: Family Fave July 28th, 2023 When Rock & Roll is a Verb"